1 Notes

sukotsuto:

“Self portrait with paintings”, via oil paint on canvas. I forgot the dimensions of the canvas, but it’s the biggest canvas I’ve painted on thus far.Not an exact representation of me, but I was inspired by a lot of artists, particularly by Hans Holbein the Younger’s painting of Henry VIII. I also did not use black nor white for this painting, relying on the lightest yellow I have as my “white”.To be honest, I’m not even sure if I’m finished painting the piece… then again, that’s how I feel for ALL my paintings.

sukotsuto:

“Self portrait with paintings”, via oil paint on canvas. I forgot the dimensions of the canvas, but it’s the biggest canvas I’ve painted on thus far.

Not an exact representation of me, but I was inspired by a lot of artists, particularly by Hans Holbein the Younger’s painting of Henry VIII. I also did not use black nor white for this painting, relying on the lightest yellow I have as my “white”.

To be honest, I’m not even sure if I’m finished painting the piece… then again, that’s how I feel for ALL my paintings.

Notes

1 Notes

sukotsuto:

Anxious self portrait via graphite pencil on my 8.5x11” paper. I was really anxious and worried (with a hint of paranoia) at the time, so I decided to draw myself from the mirror to kinda cheer myself up lol.

dA link: http://fav.me/d4z87sm

sukotsuto:

Anxious self portrait via graphite pencil on my 8.5x11” paper. I was really anxious and worried (with a hint of paranoia) at the time, so I decided to draw myself from the mirror to kinda cheer myself up lol.


dA link: http://fav.me/d4z87sm

23 Notes

West Side Medici

wtfarthistory:

The Medici family was badass in every way: they built and lived in huge palaces in and around Florence and Rome, they commissioned art from the greatest artists of their time (from Botticelli to Michelangelo), they exiled people they didn’t like from Florence, and they controlled the bank (and at times the papacy as well).  Badass right?  In the sixteenth century, a member of the family established himself as Grand Duke of Tuscany, a pretty flashy title and a bold move politically as such a title was often reserved for foreigners and those of truly noble status (of which the Medici were not, even if they were extremely wealthy).  His named was Cosimo I (not to be confused with his fifteenth century relative of the same name, also called ‘il Vecchio’, the older).  In portraits of Cosimo and his family by Bronzino, each are shown making a distinct hand gesture, the use of which today could get them shot in certain neighborhoods.  I’m referring to the west side gang sign.  Take a look, they all make some variation of the gesture, except Francesco who flashes the shocker… he was a little odd and probably kinky like that.

Agnolo Bronzino, Portrait of Cosimo I de' Medici, c. 1544-45, oil on panel.  Art Gallery of New South Wales, Sydney; Agnolo Bronzino, Portrait of Eleonora of Toledo with Her Son Giovanni, 1545, oil on panel.  Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Giovanni, Son of Cosimo I de' Medici, 1545, oil on panel.  Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Giulia, Daughter of Alessandro de' Medici?, c. 1548-50, oil on panel.  Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Maria, Daughter of Cosimo I de' Medici, 1550-51, oil on panel.  Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Bia, Cosimo I's Illegitimate Daughter, c. 1542, oil on panel.  Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Francesco, Son of Cosimo I de' Medici, 1551, oil on panel.  Galleria degli Uffizi, Florence

Agnolo Bronzino, Portrait of Cosimo I de’ Medici, c. 1544-45, oil on panel.  Art Gallery of New South Wales, Sydney; Agnolo Bronzino, Portrait of Eleonora of Toledo with Her Son Giovanni, 1545, oil on panel.  Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Giovanni, Son of Cosimo I de’ Medici, 1545, oil on panel.  Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Giulia, Daughter of Alessandro de’ Medici?, c. 1548-50, oil on panel.  Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Maria, Daughter of Cosimo I de’ Medici, 1550-51, oil on panel.  Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Bia, Cosimo I’s Illegitimate Daughter, c. 1542, oil on panel.  Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Francesco, Son of Cosimo I de’ Medici, 1551, oil on panel.  Galleria degli Uffizi, Florence

14 Notes

Archaeological News: Marco Polo was not a swindler – he really did go to China

archaeologicalnews:

A thorough new study of Chinese sources by University of Tübingen Sinologist Hans Ulrich Vogel dispels claims that Venice’s most famous traveler never truly went as far as China.

It has been said that Marco Polo did not really go to China; that he merely cobbled together his information about it…

7 Notes

1 Notes

sukotsuto:

Pictures of both my non-representational abstract paintings in the display case next to the LAHC gallery entrance. :)

Bonus: Preview!? :o

1 Notes

528 Notes

aznable:

sonofja:

real talk

i dont want no scrub

aznable:

sonofja:

real talk

i dont want no scrub

141 Notes

Hey little artists, don’t give up! But also don’t get a big head.

artist-confessions:

All my life I’ve been drawing, and all my life I’ve been lavished with compliments for my drawings. I was that gradeschooler who earned pocket-change by drawing everyone’s favorite cartoon characters. I was the middleschooler who was hero-worshipped by the other anime fans when I could replicate the artist’s original style. I was the highschooler all the teachers called on to do “artsy things”, and all the students complained about how “unfair” it was that I was so good at art. Do I sound conceited? Of course I do. I spent the first 18 years of my life having my ego pumped bigger and bigger by everyone I met.

And now I’m the college student failing my freshman-year drawing courses.

After spending eighteen years being told what an “amazing” artist I am, I’m having a lot of trouble coming to terms with the fact that I’m not. I’m having to deal with the aftereffects of hundreds of compliments, hundreds of “I can’t believe you’re so young!”s and hundreds of “How can you draw that well at this age?”s. I’ve got probably the biggest ego on campus, but I’m the only one in my Comp I class whom the teacher says is making no improvement.

Why is this self-pitying rant important to younger artists? It’s because you still have time to become humble. I’ve seen a lot of confessions from and about younger artists on here. I’ve seen some art that is better than anything I do now, and I’ve seen some 13-year-olds draw worse than how I drew at age 8. But they still have time to grow. They still have time to learn. I’m not saying that I don’t have time to learn, or that I can’t grow any more. But I spent the most important years of my life learning and growing in all the wrong ways, and now I’m having terrible trouble getting out of the hole I’ve dug myself.

So I have some tips for younger artists. They might not be the best tips, but they’re things I wish I’d learned years ago, when my college fees and future career didn’t depend on them:

  • Ask older artists for advice, and listen to it. You can learn a lot from people, whether it’s a parent, teacher, or someone here on Tumblr!
  • Learn to take critique well. I’ll readily admit that I was in tears during my first critique here on campus. It’s hard to hear someone tell you your art is no good, but it’s important to listen to how to make it better.
  • Keep practicing. Just because you’re the best artist in your group of friends doesn’t mean you can’t improve! My art style stagnated around the time I was in 7th grade because I was the best artist in my class, and I though I couldn’t get better. But you can always get better.
  • Take lots of art lessons! Most schools only offer basic art classes, or classes where half the time you’re painting weird collages with stickers and glitter glue and feathers. Find a private teacher who specializes in a certain kind of art, like still-life or sculpting or portraiture.
  • Believe in yourself. I don’t think that needs anything added to this one.
  • Never ever use “I’m too young” or “It’s my style!” as excuses for why you can’t improve/change something. You’re never too young to improve, or too old! And look at some famous comic-book illustrators or manga-kas: they change their styles a lot! It’s not a bad thing to have your art style evolve and improve. Even professionals can always get better.

If you’ve gotten all the way to the end of my rambling, thank you for reading. And if I helped someone out, even a tiny bit, then I’m happy.

-Anonymous