The Medici family was badass in every way: they built and lived in huge palaces in and around Florence and Rome, they commissioned art from the greatest artists of their time (from Botticelli to Michelangelo), they exiled people they didn’t like from Florence, and they controlled the bank (and at times the papacy as well). Badass right? In the sixteenth century, a member of the family established himself as Grand Duke of Tuscany, a pretty flashy title and a bold move politically as such a title was often reserved for foreigners and those of truly noble status (of which the Medici were not, even if they were extremely wealthy). His named was Cosimo I (not to be confused with his fifteenth century relative of the same name, also called ‘il Vecchio’, the older). In portraits of Cosimo and his family by Bronzino, each are shown making a distinct hand gesture, the use of which today could get them shot in certain neighborhoods. I’m referring to the west side gang sign. Take a look, they all make some variation of the gesture, except Francesco who flashes the shocker… he was a little odd and probably kinky like that.

Agnolo Bronzino, Portrait of Cosimo I de’ Medici, c. 1544-45, oil on panel. Art Gallery of New South Wales, Sydney; Agnolo Bronzino, Portrait of Eleonora of Toledo with Her Son Giovanni, 1545, oil on panel. Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Giovanni, Son of Cosimo I de’ Medici, 1545, oil on panel. Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Giulia, Daughter of Alessandro de’ Medici?, c. 1548-50, oil on panel. Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Maria, Daughter of Cosimo I de’ Medici, 1550-51, oil on panel. Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Bia, Cosimo I’s Illegitimate Daughter, c. 1542, oil on panel. Galleria degli Uffizi, Florence; Agnolo Bronzino, Portrait of Francesco, Son of Cosimo I de’ Medici, 1551, oil on panel. Galleria degli Uffizi, Florence